dan torrance (
shine_again) wrote2019-06-11 11:52 pm
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Dan spends his time in captivity finding out what it might have been like if the Overlook had been a medieval dungeon run by fucking goblins. He feels precisely as helpless as he had in the worst of it there, at the beginning, when he's aware of everything. They beat him, of course, because it's a goblin dungeon, and one of them is sneering about tenderized meat. His coat and flannel and t-shirt are taken, though he's left with his jeans and boots. Something about foot-rot, they say. Not very appetizing.
He tries to frighten them, spits more of that strange language at them, and it earns him a cell of his very own, it seems. Now, this has nothing on the Overlook, cramped and slightly wet and cold; he's held to the wall with an honest to god chain, and all he can see from the gaps in the bars is a passageway, and a door on the other side, and fire beyond that door.
Dan thinks he might honestly have been dragged to hell.
The shining is of no use; all he feels is the terror and despair and angry helplessness of others in other cells. And then the dark waves again, which drag him down for hours at a time, and leave him shaking and gagging against his bonds.
He can't think, he can't think for all of the noise of everyone else's thoughts. Oh, but he tries. He thinks of Abra's light shining so brightly, that even across worlds, it might give him something to see by, he thinks of his mother fighting with everything to keep them alive. He thinks of the moment when he'd thought he was safe, his arms around Marcus and Marcus holding him so tight, the warmth of his breath, the little flicker of light kindling in Dan's chest.
He tries to get it back.
He's just so cold, and it's so loud inside his head.
He tries to frighten them, spits more of that strange language at them, and it earns him a cell of his very own, it seems. Now, this has nothing on the Overlook, cramped and slightly wet and cold; he's held to the wall with an honest to god chain, and all he can see from the gaps in the bars is a passageway, and a door on the other side, and fire beyond that door.
Dan thinks he might honestly have been dragged to hell.
The shining is of no use; all he feels is the terror and despair and angry helplessness of others in other cells. And then the dark waves again, which drag him down for hours at a time, and leave him shaking and gagging against his bonds.
He can't think, he can't think for all of the noise of everyone else's thoughts. Oh, but he tries. He thinks of Abra's light shining so brightly, that even across worlds, it might give him something to see by, he thinks of his mother fighting with everything to keep them alive. He thinks of the moment when he'd thought he was safe, his arms around Marcus and Marcus holding him so tight, the warmth of his breath, the little flicker of light kindling in Dan's chest.
He tries to get it back.
He's just so cold, and it's so loud inside his head.
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"My dad," he says. "Some of the time anyway. My mum the rest of the time. The two of them never wanted to be parents and at best I was an inconvenience."
At worst he'd been the reason they were poor, the reason they were sad, the reason they were angry.
"He ended up killing her," he tells Dan. "When I was seven. Your mum, though..." He wants to hear she was able to get away, found a place to be safe with Dan. His mother never would have, but he has a feeling Dan's mother was a far better parent than his own was ever capable of being.
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His thumb strokes the inside of Marcus's wrist.
"When my dad finally lost it, he tried to kill both of us. I had called for help with the shining, called a man I knew I could trust, and it nearly killed both him and my mom, but we got out. My dad died at the Overlook. So we were safe, even if we were changed. The ghosts tried to follow me, but Dick, that's the fried, he helped me with that." He keeps his voice soft, as soothing as he can manage.
"How did you escape it?"
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"I killed him," he answers, lifting his gaze from Dan's hand to his face instead. "I was seven when he killed my mum, hit her with a hammer right in front of me, and I knew I was next. I went for his hunting rifle, grabbed it down off the wall, and shot him through the throat as he tried to choke me to death."
Seven years old, his father's strong hands wrapped around his throat, wet with his father's blood, and Marcus had never felt freer in his entire young life. He doesn't regret it at all. Never will. He hopes that's clear in the ways he says it all.
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"You set yourself free," he says, still in that quiet tone. "I'm sorry, I can feel that coming through, but it's clear. Set yourself free from that, though not everything."
He feels something stirring in his ribcage, and he's not sure he's felt it before. Maybe Abra had pierced through the numbness, but not like this.
"I'm really glad I met you."
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All that gets shuffled aside, however, at Dan's next statement, and Marcus can't let himself hope Dan might mean it beyond friendship. Though there's no denying he's nursing a bit of a crush these days, he's doing rather well keeping it under wraps, he likes to think, keeping it from being something Dan can just read in him. The friendship already means so much to him. He can't risk it by overstepping.
"So am I," he agrees, his smile widening a touch, becoming a little lighter. "I've a tendency to be a bit of a grumpy prick, so that you like me at all is rather impressive."
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you also let abra call you uncle dan for how long
Dan blinks, surprised for a voice to pop up. It's not Tony, or anyone he'd known to visit back home. He thinks, maybe, Tony might still be with him, but not the others. He squeezes Marcus's hand gently, and returns to eating his soup.
"I'm capable of absolute wonders, you'll see," Dan says, and smothers a yawn.
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That leaves, of course, Marcus's bedroom. The enormous bed he hasn't shared with anyone but Trass in months now. Not that he'll presume to share it with Dan, even though there's plenty of room. He'll take the couch, he's certainly slept on it before and it's more than suitable for him for a few nights.
"If you're finished, I'll get you set up in my room," Marcus says, getting up from the table and taking his empty bowl to the sink. "Though if Trass comes back tonight, I can't guarantee you won't have a large, furry companion in there."
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He looks up as Marcus speaks, watching him move, watching the limp.
"You don't get to sleep on the couch, and I did not need psychic powers to tell that's what this is. You need to be in a bed, more than I do. I'll behave myself."
There's more, of course.
He doesn't want to be alone, not when anything could crawl through his dreams.
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And it is a rather large bed. It had been built for three, after all, and comfortably for three, larger than even a regular king size bed. It's not as if they'll be crammed in it together, there's really plenty of room, and Marcus can control himself, he's not a bloody teenager, after all. He would insist on sleeping on the couch, but he already knows Dan isn't going to accept that and Marcus is really far too tired to try and argue his way out of it.
He laughs as he takes the bowl from Dan, bringing it to the sink as well and then taking two glasses out of the cupboard. He fills them both with water and then turns and hands one to Dan before saying, "Alright. I'm not going to argue, but only because I'm spectacularly exhausted myself."
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Taking the glass, and then a long swallow, wincing slightly at the movement of his throat, Dan finds he's extraordinarily comforted by the realization that he's not going to be alone.
"Wonderful," Dan says. "Because I'm not sure how long I'm going to be awake, regardless of location." He stands up, muscles shrieking in protest. "Lead on."
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Of course, Nate had never slept in Marcus's bed.
The room is by far the loveliest in the house, Matthias's hard work evident in the enormous windows that look out onto the currently snow covered trees, in the woodwork and in the beautiful fireplace. Against the opposite wall is an oversized bed, a little rumpled from Trass having clearly been there earlier.
"Hopefully there isn't too much wolf hair," Marcus says dryly, reaching down to shake off the top comforter.
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He's busy taking in the room with a sense of wonder. "This is beautiful," he says, and it's soft, slightly awed. "This-- I've been in places where you could feel what was built into a place. The darkness or sadness, or-- worse. There's love here, in each angle and line."
Dan realizes a moment later he's been babbling, and glances down at this feet. "I'm sorry if that-- overstepped." He knows Marcus misses whoever built this.
Quietly, as if not wanting to pull more attention to himself, Dan pads over to the side Marcus doesn't stand on, and crawls in, perhaps without much ceremony, but with a certain respect, at any rate.
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"That's nice to hear," he admits as he pulls his feet up, his knee protesting as he does. Getting his legs under the blankets, he pulls them up, settling back on his pillow, though still partially sitting up. "He wanted this place to be for... for us. For a family eventually. Now they're both gone, have been for months, but I'm not alone here, and that... I think that's what he would have wanted."
It's not the family Matthias pictured and he well knows it, but it's the only sort of family Marcus would have ever had. He's not a father in the traditional sense, he wouldn't have wanted or known what to do with a baby, but he has Sabrina and Salem. They live here now, they make it a home. And he has Kat, too, willing to come when he needs her. The best family he's ever known.
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It's a wish, not fully formed, and Dan pulls it carefully back into himself and sets it aside for better times. He's beginning to think they might actually come.
"If you love someone, I don't think you ever stop wanting what's best for them," Dan says quietly. "Goodnight, Marcus. I know I don't need to say it, but thank you. I really am glad I met you."
He smiles, and then he slides down, settling into the bed and finding sleep almost immediately.
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But he can't pace and he doesn't want to turn on the light so he can read or draw, not with Dan sleeping so deeply beside him. It's clear he needs it and Marcus doesn't want to interrupt, so he just sits for a long while. Outside the wind howls and it gets darker still as the moon is hidden by clouds and whirling snow. Eventually his eyes start to drift closed and he sinks down into the pillow, pulling the blankets up around his shoulders.
He's still facing the widows when he falls asleep. Still looking for movement.
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He's exhausted, after all, and from down in the depths of sleep he'd be willing to bet this might be the safest place in the city for him. It's almost enough to keep it all away.
But the shine itself still processes, trying purge itself of all the sick bits it had picked up at the castle. Dan's being pulled out of his cell and forced to walk, down a long hallway that looks exactly like that dungeon, only the cell doors are the Overlook's doors, furnished with room numbers and all.
Come, pup, got to take your medicine! shrieks a goblin, and another laughs until gobs of black come up from its throat. Not quite, we make this one into the medicine! Soup for the immortal soul and Dan can smell it, at the end of the hall, he knows what room number it is, and he kicks and screams. The goblins are smaller than him but so strong; one reaches inside his screaming mouth and holds him by the backs of his teeth. He skids along carpet and ragged brick, and the door opens to a monstrously huge bathtub over a fire.
She's there, Mrs. Massey swims in the soup and it's not decay peeling her flesh from bone, its heat. Come here, Danny.
And then he's in, and it's so hot that he should be dying, and a wet voice says get the tongue, his tongue's so sweet and her rotting arm pushes into his mouth--
Dan shakes and thrashes in the bed, clawing at his mouth, his throat. He can't breathe can't breathe can't breathe
help help help
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It's instinct only that has him laying his hands on Dan, reaching past the flailing hands, heedless of the possibility of being hit. Marcus has reached out to comfort people far more violent than this in the past, has held shrieking children to his chest, singing to them, reciting stories, hushing them with soft words as he tries to send the demons in them screaming back to hell. He's told them they're good and pure and loved even as they scratch and slap and bite. A nightmare he can handle.
"Dan," he says, voice firm and yet still gentle. His hands settle on top of Dan's, pulling them from his mouth, and once he has the space, he presses the weight of his entire palm solidly against Dan's chest, just below his throat. A reminder of reality. "Dan, it's alright, it's a dream. You're safe. Come back now. Come out of there."
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Not Tony, but someone trusted and safe, and Dan manages to shove the dream aside, move toward that voice until he's gasping for air, awake with the taste of blood on his lips. There's a few seconds where he's just trying to remember to breathe, like he's had the wind knocked out of him.
As soon as he feels the sweet relief of the oxygen making its way through his system at last, he's able to become aware of where he is, and it makes all the sense in the world that he's in Marcus's bed, with the only person that could have pulled him from the dream so easily. He has no shame when he reaches out and gets his arms around Marcus, pulling him closer, needing him.
He breathes raggedly into Marcus's shoulder, against his neck.
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"You're alright. You're safe," he murmurs, running through all the calming assurances he knows and then some. Repeating them over and over until he can feel Dan's breathing evening out bit by bit.
He's barely been in Darrow for a month and now he's seeing the worst parts of it. Marcus certainly wouldn't blame him for being one of those who wants to get out of this place and back home, where things might still be dangerous, but at least the dangers are familiar.
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Even if this is a temporary reprieve from darkness and loneliness, Dan will take it. Marcus feels solid and real, maybe the only solid and real thing Dan knows for certain exists in this moment. He doesn't want to have to let go.
But no one has ever really held him like this, and never for as long as he needs, so Dan carefully pulls away when he thinks it's been too long. He's sure he looks like shit, and like a crazy emotional wreck when he makes himself meet Marcus's eyes. "Jesus," he sighs. "I'm sorry." His voice rasps. "I should have expected-- the nightmares can get really bad. Really real. I'm not even-- I think I'm awake now. I used to have, uh, false awakenings."
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"Lie down. It's okay if you don't fall asleep again right away, just lie back, it'll help calm your breathing if you're stretched out rather than hunched over," he guides. He keeps hearing what Dan had said about not being sent back, and he's not sure what to make of that, why Dan would want to stay here over returning to the people he must have back home. Marcus wants to be here. But Marcus doesn't have anything waiting for him.
Trying to encourage Dan to lie back again, he slides down a little on his own pillow, slouching back under the covers, gently bringing Dan with him.
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He relaxes, bit by bit, at the steady soothing pattern rubbed into his shoulder, and when Marcus encourages him to lie down, he goes. Acting more on impulse and feeling than anything, he edges further into Marcus's space, testing, the whole set of his jaw asking, pleading for a little more, a little closer.
There's too much for Dan to parse it. He tries to trust what's shining through not to steer him wrong. It hasn't before.
Trusting, some shade of hopeful, he reaches for Marcus's hand, pulling his arm around him and that hand to his chest.
please
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Marcus has destroyed a lot of things in his life, many of them on purpose, but he's learned from Neil not to destroy those who mean something to him.
"S'alright," he says again, settling back on his pillow, turning onto his side and letting Dan wrap that arm around himself. With his palm pressed to Dan's chest he can feel the beating of his heart, pleased to find it slowing bit by bit. "Nothing can get in here. Sabrina's made sure of that. That girl is too bloody stubborn and too bloody talented to let anything get to us inside these walls."
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This means something.
Marcus is giving him something, something Dan wants, just because Dan wants it. Needs it. But it's not as if he feels like it's something Marcus doesn't want to give.
Maybe it'll clear up when he's had some sleep. As for sleep, he can feel it wrapping around him without threat of further nightmare. He'll sleep well this way, he knows, and he can examine the why when it's light again.
"We're safe," he agrees. "And warm." And happy.
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Telling himself there's no reason he should doesn't necessarily work. He shouldn't. There's nothing to feel guilty about, nothing going on here besides Dan needing a friend. If Marcus feels something closer to a romantic attachment stirring, that doesn't mean it's going to come to fruition. He's allowed to look, it's not as if having been with someone and then lost them means he has to return to celibacy even in his mind. And beyond that, Matthias wouldn't tell him not to help someone in need.
But he still can't fall asleep. Because it isn't only that he's helping a friend. These feelings he's been trying to ignore for the last month are a little more difficult to shove down when he's wrapped around the man inspiring them. With a sigh, he shifts a little and presses his face into his pillow and closes his eyes. As long as Dan sleeps, it'll be fine.
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